Greensboro Opera-Menotti’s “The Telephone”
One can hear influences from several composers in Menotti’s score, especially Mozart. This was nowhere more apparent than in Lucy’s arias, where Grayson”s coloratura passages were delivered with clarity and brilliance. Her repeated “Hello, hello” answer to the ringing machine became more and more humorous. Her acting was first rate…a delight to watch!!
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Camelot - Augusta Opera |
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